A rhythm of your own.
Stillness, wandering, turning in place. Participation has many shapes. The edges of the room belong to the dance as much as its centre.
Each point has a rhythm of its own. Watch what happens when those rhythms meet—and what remains when they part.
A slow opening at 70 BPM. Follow the slider through musical tempos and beyond, up to 111×. Changing the gathering begins a new dance. This is a silent experience.
At this tempo, playback follows your device’s available capacity.
From inside a dance, there is only this breath, this turning, this other person arriving at the edge of attention. From a little distance, another shape appears: a room making and remaking itself through small choices.
Here, a line is a trace of time shared. It does not bind the people it joins. They are free to move apart, to meet someone else, to be alone. The longer they dance together, the longer that trace takes to disappear.
Try a small gathering, then a crowded room. Let the tempo rise. Notice what you follow: the individual light, the meeting, or the space between.
Stillness, wandering, turning in place. Participation has many shapes. The edges of the room belong to the dance as much as its centre.
A meeting becomes a shared movement. Two people find a rhythm; a third makes it different. A group gathers, opens, and changes as people come and go.
To part is also part of the dance. A connection can leave an impression without becoming an obligation. The room keeps making space for what comes next.
This is an expressive artwork, not a prediction of human behaviour. Dancers alternate between moving independently and choosing nearby encounters. Groups can grow to ten people. Passing close to someone does not itself create a connection.
While two people dance together, their thread stays bright. After they part, it fades over the same duration: thirty seconds together leaves thirty seconds of fading. New dances can begin while previous threads linger. Pause stops both movement and fading; Begin again clears the room’s history.
Tempo scales the dance’s own clock: 140 BPM moves twice as fast as 70 BPM, including the life of its threads. The musical part of the slider is deliberately spacious; its far end is an imaginative extreme, not a suggested musical tempo. The 70 BPM opening is informed by the Ecstatic Dance guide. No sound is played.
| Dancers | Movement | Encounters |
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Keyboard: Tab to each control; arrow keys adjust the sliders. Escape leaves Stage view. Your system’s reduced-motion preference starts the experience paused. Everything runs in your browser, with no accounts, tracking or saved personal data.